Microtonal fragments that coalesce into rhythms and melodies. In this process, the divine becomes the idea of the absolute. As a conception of the still unfinished, as well as fragments that form a whole. This duality between the perfect and the processual runs as a counterpoint through the debut album “Dingi Ringd Coint” by Jonathan Delazer’s trio “Göttliche Skizzen.” Like Renaissance sketches as drafts for the Absolute, for a utopia of the imaginable. “Dingi Ringd Coint” becomes the ono matopoeic melody of a three-part sequence of movements on the drums, as a rhythmic trinity. It is a journey through medieval troubadour music, traditional folk dances, and the glissando notations of American composer Gloria Coates, in which the notes and intervals on open, differently tuned strings are connected by a continuous glide.