Daniel Erdmann’s new Organic Soulfood trio was
born out of a double quest: the German-French
star saxophonist wanted to get closer to certain
aspects of jazz history, but also to intuitively
search for the unknown. On their debut album
Into the Sweet Unknown, the trio recorded songs
inspired by the immersion in jazz traditions and
the classical organ trio instrumentation, but
also driven by a modern playing style that best
showcases the musicians’ creative power.
Renowned for his playing that ranges from nuanced,
mellow sounds to a deliberately rough tone and his
subtle humour, Daniel Erdmann’s bands always gather
playful and highly skilled musicians, who create an
instantly recognisable sound with their personal,
innovative style. This is also the case with Erdmann’s
latest trio, Organic Soulfood, in which his long-standing
bandmate Jim Hart replaces the vibraphone with a
drum kit to create dynamic and changeable grooves,
while Antonin Rayon (Hammond organ) appears as a
new collaborator alongside the saxophonist. Rayon,
who has become well-known as the musical partner of
Dominique Pifarély and Marc Ducret, brings the soullike
atmosphere often associated with his instrument to
perfection – a spiritual overtone that partly inspired the
band’s name –, but the timbres, harmonies and bass
lines, which are sometimes abstract and sometimes
almost electronic, make his playing atypical enough
to never become predictable. The trio was born out
of a double quest: Erdmann wanted to get closer to
certain aspects of jazz history, but also to intuitively
search for the unknown. Their songs are inspired by the
immersion in jazz traditions and the classical organ trio
instrumentation, but also driven by a modern playing
style that best showcases the musicians’ creative
power. In his compositions, Erdmann is again able to
preserve the elaborate forms without compromising the
freedom of improvisation, and allows ample space for
solos to take wing. The result is an album that remains
accessible with high-quality instrumental performance
and a thoughtful concept palpable throughout.
In recent years, Daniel Erdmann has been honoured with
many of the jazz world’s most prestigious awards, such
as the Echo Jazz Prize, the Deutscher Jazzpreis and the
SWR Jazz Prize. For almost a decade, the saxophonist has
maintained a close and intensive working relationship with
BMC Records, both as a leader of his own bands and as a
participant in various projects. He appears alongside Aki
Takase on four albums: as a member of the band Japanic
(2019 and 2024), on the duo album Isn’t It Romantic?
(2021) and on the recording of Carmen Rhapsody (2023).
Also recently released on the label is Nothing Else, the
latest album by his trio with Vincent Courtois and Robin
Fincker. The saxophonist’s most successful band to date
is Velvet Revolution, whose debut album A Short Moment
of Zero G (2016) won the German music critics’ award
for best album of the year (Jahrespreis der Deutschen
Schallplattenkritik) in 2017, among many other prizes,
and whose success has continued with their next two
albums (Won’t Put No Flag Out, 2019; Message in a
Bubble, 2023). Erdmann’s tenth BMC Records album is
also in preparation, featuring the German-French jazz
sextet Thérapie de Couple, which he has founded at the
joint commission of the Jazzahead! showcase and Jazzdor
Festival.