Pianist and composer Ha°kon Skogstad will release his new album, 8 Concepts
of Tango, the sequel to Norwegian Grammy-awarded «Visions of Tango» from
2021. The album is due to come January 26 and will be the third installment of
Skogstad’s tango trilogy, where the aim has been to develop a new musical
style in the wake of Astor Piazzolla. On 8 Concepts of Tango, Skogstad
performs in the company of seven hand-picked musicians - all experts in the
Argentine tango/classical music segment.
“In the solo piano album Two Hands to Tango from 2018, I combined my experience
from tango, classical and jazz playing to reformulate the use of the piano in nuevo
tango – greatly inspired from a bandoneo´n playing style. In the sequel Visions of
Tango from 2021, I upscaled to a grand format with my original Concerto for Piano
and String Orchestra as well as piano/violin duo arrangements with Atle Sponberg
and the Trondheim Soloists. In 8 Concepts of Tango, I have taken inspiration from Astor Piazzolla’s Octeto Buenos Aires and
composed 8 original works for 8 musicians - aiming to further expand the landscape of nuevo tango.” - Håkon Skogstad
Ha°kon Skogstad (b.1989) is a prize-awarded pianist and composer holding degrees in classical performance from Oslo and
New York as well as a PhD in Artistic Research from NTNU, Trondheim. He has performed in ensembles and as soloist
throughout Norway and played concerts in the U.S., Argentina, Germany, Austria, Spain and Sweden. He has also composed
several large-scale works on commission. Skogstad released five critically acclaimed tango recordings both in groups and as
soloist in the period of 2008-2021. For his latest album, the German newspaper Der Tagesspiegel stated that "Skogstad's
interpretations of Piazzolla are wonderfully exciting, and his piano concerto is highly entertaining, mixing the grand virtuoso
gesture of Romanticism with bittersweet tango tones. Caramba!”. The Argentinian newspaper Tiempo Argentino stated that
"Skogstad reformulates the use of the piano in the tango genre and gives it an absolutely personal characteristic, to which he
adds a precise technical interpretation”, and Contemporary Fusion Reviews concludes that “his playing is total precision and full
of fiery emotion.”