Caroline Adomeit has assembled a jewel of a musical
declaration of love. Above all, to her instrument, the
violin.
For her, there are hardly any limits to what she can
– or wants to – do with the violin, which is why this
recording supplements Bach’s Partita with unusual
pieces
like Ysaye’s Mazurka or Monti’s Czardas.
The Strad Magazine praised Caroline Adomeit in
no uncertain terms: “An uneven programme does little
to hide the obvious skills of a young fiddler.”
Bach to Jazz
OC 834
4/18/2012