Painting In Sound, Hayes Greenfield's third Sunnyside release, expands the perception of what jazz—and binaural, spatial, immersive music—can be. An acclaimed jazz musician, composer, and electroacoustic artist, Greenfield draws from decades of traditional and improvisational mastery and sonic exploration to create a recording that is resonant and substantial.

Captured with Max/MSP and SPAT spatial and binaural software, the album positions the listener inside a fully three-dimensional sound field. Greenfield treats space as an equal voice, shaping air, distance, proximity, and motion with the same care he brings to melody, harmony, and rhythm. Using spatial placement and movement through the immersive field, lines arc and spiral, instruments and textures shimmer, orbit, recede, and tones approach, and dissolve.

Rooted in jazz’s spontaneity and reaching beyond traditional form, the record extends the line between performance and environment. It is an expansive statement from an artist pushing jazz into new perceptual dimensions.